Hey again. I just got here at around 7
p.m. today after a loooong day at work. The guys got done tracking the
basics (drums and bass) for two new songs - song 5, which is tentatively
called Ghosts. It's a song about not being able to shake the memory of a
broken relationship or friendship no matter what you do. Musically it is
the most like something that would have been right at home on Can I Say,
so of course I like it a lot. Then they also did song 4, which is as yet
untitled but VERY different. Moody and dark, and the slowest song on the
album. Don't worry, it's not a power ballad.
Everyone looks and sounds toasty and
tired today, me included. I don't think anyone got much sleep last
night. I hope we'll get more tonight. I am also fighting a sore
throat/cold thing which truly sucks.
Then the pizza came from Ledo's. It was
kind of weird, because all the slices were about two inches square. It
tasted like the homemade pizza kits you used to make in your kitchen in
seventh grade. As Don put it, "Other than the crust and the sauce,
it was great." He thought about it for a moment and then added,
"And the cheese was burnt a little bit too."
We ate in the studio lounge with a band
called Gist, a D.C. band that is mastering their record in the smaller
studio room that used to be the room where J Robbins produced and mixed
a lot of great stuff. The room is now the mastering heaven for bands,
and is called Silver Sonya. Gist is a cool rock band with a touch of the
newer D.C. sound, slightly on the esoteric side with great melodies.
They are going to be shopping their record around, so label folk take
note.
Chad Clark (formerly of the band Smart
Went Crazy, who released two records on Dischord, and now in Beauty
Pill) is mastering in Silver Sonya. Chad is an awesome guy and has a
great ear. He has his own mastering set up in the room. He, Ian MacKaye
and Brian very recently remastered both the first two Dag Nasty records
and Dischord is going to rerelease them this year. The remastered discs
both sound amazing and have extra stuff. I have to admit I was highly
skeptical about remastering those records, but Chad kicked ass. It
sounds better, flat out.
We're now going to try to get down song
6. It's a sort of heavy fast rock dag nasty song with a beat that makes
you bop your head. Imagine that!
Now we're close to getting the right
take. Colin is talking with Larry from Rev. Larry is excellent, and he
and Jordan, the owner, are largely responsible for us signing to Rev. We
requested Revelation hoodies and t-shirts. Larry quickly hung up.
Two hours later. Darren is here to
tweak Colin's drums and put on some new drum heads, check tuning, etc.
Darren has a flaming head tattoo on his arm that looks downright nice.
Purple is an excellent tattoo color, I think. He and I are in the
control room talking about drummer greats like John Bonham, Keith Moon,
Stuart Copeland, Neil Peart. And we agree that none of those guys,
despite their greatness, would have been better than Ringo was for the
Beatles, for instance, or Charlie Watts still is for the Stones. The
right match is so important. We both agree that guitar wankers like
Yngvwe Malmstein or Joe Satriani have all the talent in the world but
none of the soul that mark guys like Jimmy Page or Pete Townsend.
Brian is now playing Steve's 1963
Gibson SG Junior. It's an amazing guitar. He's going through a Marshall
1987 Silver Jubilee 50 Watt head, and a '92 Anniversary cabinet.
It's now 11:40 p.m. We just got a good
take of 6, but Colin wants to see if we can top it. So we'll keep that
one and try another.
Got the master take at 12:30, Darren is
changing the heads on his kit and then we outta here!!
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